Die erste gelbe Gerste
Rebekka Börner
In „Die erste gelbe Gerste“, I select details from heat-treated nude drawings (ink on plastic foil, then ironed), cut them to size and present them in slide frames. Again, repetition is a motif, here, an attempt to systematically approach a perception. The work takes its impact from a totality that disrupts our viewing habits, as the slides become part of the image effect, whereas usually they would be projected individually.
